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Band Competitions Foster Life Lessons Over Trophies

/ The Upper Cumberland's News Leader
Band Competitions Foster Life Lessons Over Trophies


It is High School Marching Band Competition time across the Upper Cumberland, a platform for students to build lasting relationships through months of rigorous musical and physical preparation.

Cookeville High School Director of Bands David Talbert said the competitive environment focuses on evaluating halftime shows based on music performance, marching technique, and overall visual effect. Talbert said some events provide letter grades while others use precise scoring systems that rank bands to the hundredth decimal place.

“All the bands are putting in an enormous amount of time and effort to learn their shows and I think they gain an appreciation of what everyone else is doing,” Talbert said. “And I think that’s more valuable than any of the hardware we might bring home.”

Preparation for the season often begins before the previous school year ends, with students receiving music in the spring to practice before summer camps. Jackson County band director Carroll Gotcher said these camps frequently involve 12-hour days of intense rehearsal to master the fundamentals of a 12-minute production.

“I tell my students that the numbers don’t really matter to me and that’s true,” Gotcher said, “It always feels good to win. it always feels good to get a great score, but it is better to know that you have gone out there and done the absolute best that you can.”

Bands are typically classified for competition based on the number of musicians in the ensemble rather than the total school enrollment. Talbert said this method ensures programs of similar sizes compete against one another, though some states still use school size as the primary metric.

“It’s not just about the performance on the field, it’s also about building the skills within the kids, about building that community of people struggling toward the same goal,” Gotcher said. “These are their best friends and will be for life.”

Staffing levels vary significantly between programs, as larger schools may hire specialists for choreography and music arrangements while smaller programs rely on a single director. Gotcher said he often hires alumni to assist during band camps to manage the instruction of different sections like percussion and color guard.

“It’s beautiful to see everyone in their band t-shirts in their school colors because you have a whole rainbow of kids standing in line at the concession stand or watching the band that’s performing and they’re making lifelong friendships with people who do what they do at a different level or at a different school, but it’s all band,” Gotcher said.

Upperman Band Director Jon Oliver said the atmosphere at these events mirrors a sporting competition where the crowd remains respectful of every performing group. Oliver said a recent exhibition at Upperman drew approximately 1,200 people to watch 10 different bands perform.

“Every person on that field is an equal contribution to our show, and we work together to achieve our goals,” Oliver said. “I want our kids to work hard and play hard, but they are to learn respect, manners, and the drive to be better than someone else’s expectation.”

The judging process involves seven different officials evaluating various aspects of a 10-minute performance on a 100-point scale. Oliver said music can account for 15 to 30 percent of the total, while percussion typically makes up 10 to 15 percent.

“Your skill level improves because every person’s skill level improves and we do not succeed unless everyone does,” Oliver said. “And above all, become a better version of yourself through the process.”

The competitive season in the region generally runs from mid-September through the end of October. Oliver said students often commit to a schedule that includes six hours of weekly rehearsal, Friday night football games, and Saturday competitions that can last up to 14 hours.

“Band is a family that learns how to take care of each no matter what,” Oliver said. “We all come from different backgrounds and skill sets, but we work towards a common goal.”

Planning for a single production begins nearly a year in advance, with staff selecting themes in November or December. Oliver said music arrangements begin in March, while the visual drill is written and adjusted as the season progresses.